Academicus International Scientific Journal

Title:
The Woman as the “Other” in Yamina Bachir’s “Rachida” and Aziz Salmy “Amours Voileés”  

Author(s):
Dr. (PhD) Ahmed Bouchemal
h.bouchemal@univ-djelfa.dz
Department of English, Faculty of Letters and Languages, University of Ziane Achour, Djelfa, Algeria
0000-0003-3422-1656

Abstract:
This article focuses on the representation of woman as the “Other” in Algerian and Moroccan Films. Such representations reveal how questions pertaining to the status of woman in a much patriarchal society became at the hub of cinematic forms of expression. Through their female protagonists, Yamina Bachir’s “Rachida” (2002) and Aziz Salmy “Amours Voileés” (2008) represent the traumatic experience of women with alienation and dependency, institutionalized violence and the “containment” of their sexuality. As counter-cinematic representations, these films try to depict the very sense of victimhood of the female protagonists as they defy accepted ideas and stereotypes about gender and offer a voice to the voiceless. To this point, the paper further focuses on how these women manage to transgress the threshold and offer a much newer interpretation of women and their role in society.

Keywords:
Other; North African cinema; “Rachida”; “Amours Voileés”

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Licensing:   Creative Commons License
The article's content ©Academicus™ The Woman as the “Other” in Yamina Bachir’s “Rachida” and Aziz Salmy “Amours Voileés” by Dr. (PhD) Ahmed Bouchemal is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Presented: November 2022
Included for Publishing: December 2022
Published: January 2023, Volume 14, Issue 27

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