Title:
The Woman as the “Other” in Yamina Bachir’s “Rachida” and Aziz Salmy “Amours Voileés”
Full Reference List:
| 1. | Andrea Khalil, (2008), North African Cinema in a Global Context: Through the Lens of Diaspora, Routlege: London and New York |
| 2. | Aziz Salmy “Amours Voileés” (2008) available at https://www.youtube.com/ watch?v=9NpWas84NoE |
| 3. | Cheira Belguellaoui; (2007), Contemporary Algerian Filmmaking: from “Cinéma National” to “Cinéma De L’Urgence” (Mohamed Chouikh, Merzak Allouache, Yamina Bachir-Chouikh, Nadir Moknèche), Phd thesis, Florida State University Libraries. |
| 4. | Dinia and Kenza (2016), Women in Contemporary Moroccan Cinema, Journal of Middle East Media, Vol. 12, Spring |
| 5. | Jervis, J. (1999). Transgressing the modern. Explorations in the Western experience of otherness. Oxford, UK: Blackwell. |
| 6. | Le Figaro Jan. 8, 2003. Baudin, Brigitte, “Drame avec ‘Rachida’, la cinéaste Yamina Bachir- Chouikh dénonce la violence à travers le portrait d’une jeune institutrice: Le terrorisme au quotidian en Algérie.” |
| 7. | Plate & Jasper, (1999), Imagining Otherness: Filmic Vision of Living Together, Scholars Press Atlanta, Georgia |
| 8. | Simone de Beauvoir, (1980), The Second Sex, trans. H.M. Parshley, New York: Vintage Books |
| 9. | Suzanne Gauch, (2016), Maghrebs in Motion: North African Cinema in Nine Movements, London: oxford university press |
| 10. | Yamina Bachir’s “Rachida” (2002) available at https://www.youtube.com/watch?v=N1sXEVAlXWo |
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